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"Hum Hallelujah"
One - Two - Three - Four.
How can something so simple make you believe in so much more?
It's been done before. Oh, we all know.
That same rock drum beat, where the (hopefully) co-ordinated drummer hits the snare on the two and four. It keeps the other instruments in line and essentially pushes them into rhythmic subordination. No one can emphasise the two and four but the snare. Some may argue that this role as the backbone belongs to the bass drum. But the bass drum is often flighty, in my opinion. Well, that is unfair. It sometimes keeps the one and three instead, right? Right. But no, not here. Hence the reason why I'm glorifying the almighty snare.
But then the guitar kicks in with it's discordant, "I thought I loved you."
(Because sometimes the guitar can sing words you can't hear over the distortion.)
And then the lyrics...
The bass and drum bridge section that tributes Leonard Cohen's original "Hallelujah" was done with hardcore-kids-turned-pop-punk class. And it brings the song up to a totally different level.
Knowing that the bassist overdosed on the anxiety medication Ativan while listening to Jeff Buckley's version of "Hallelujah" gives a whole new meaning to the song. I'm not taking pleasure in someone else's pain; I'm actually promoting the opposite.
This song...
This song,
is saying "don't be me, don't make my mistakes".
A unique message to send into a world that just wants to FIT IN. But when did fitting in become giving in? Giving in to become someone you're not.
I often question how the bassist hits such clean notes when his technique looks so callous. But somehow, he's definitely on the ball.
(Lesson two in band dynamics: Make sure your bassist has the rhythmic skill of a drummer.)
This song makes me feel like I'm wrong. But in a good way.
It feels like closure.
Like all those times I looked your way and melted, were simply chemicals in my brain.
Because "I thought I loved you. But it was just how you looked in the light."
So is this how the beauty of freedom feels?
In the end...you can hear the passion.
The vocals are clean and earnest; they always are. There's even a few moments of falsetto that make you want to sigh in delight. The personality in each word is so tight. It's the perfect fit.
It's a love affair...
Of words and music intertwined. They're all on the same page emotionally, so it makes it all work. It's manipulative genius.
Or maybe it's just the right chord progression?
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So hum hallelujahJust off the key of reason
I thought I loved you
It was just how you looked in the light
A teenage vow in a parking lot
"Til tonight do us part"
I sing the blues
And swallow them too